
The latest remote photoshoot for Irish fragrance brand, The Scentry Collective covering styled product photography for their new range of wax melts, to go onto their website, Etsy and social media content.
As their product packaging had quite a significant redesign, their product photography needed to function as a bridge between the original brand packaging and the new, keeping the same neutral and natural styling within the colour palette and props, but this time leaning softer and more cosy to echo the glassine wax melt packaging.


Product photography work for new client Desi Cuddle Club who needed flexible imagey to cover the launch of their South Asian inspired soft toys.
For this first session we aimed for a gently styled approach, giving the images a touch of cosy texture with some soft saree draping while allowing for the dolls to be cropped out from the background if needed for ecommerce listings, and provide space to add text and graphics, making the images adaptable while the brand finds it's visual style.


For the latest shoot with London based Billie Rose Candles we mixed things up a bit by focusing on creative lifestyle content, moving away from the usual minimalist, atmospheric shots that focus on the vibe their candles evoke and bring a sense of place to help customers picture how the candles look within a space. This included some hand modelling, more props (but keeping the same modern/minimalist essence) more mood specific lighting which was greatly helped by receiving a selection of captions that were written to accompany the images on social media.


Something new and very exciting from the man behind the award winning Shropshire Macarons, a delicious monthly menu of modern patisserie treats.
I've worked with George many times over the years and while I adore shooting macarons (I literally do, they're like edible Lego and so much fun to create with), it's great to see him extending his skills to give us a whole new set of bakes to sink our teeth into and having an opportunity to explore another aspect of food product photography.
Right from the off George knew he needed professional imagery to kick start the launch of this new branch of his business, so we started with the classic, dark and moody visual style that has become our go-to for Shropshire Macarons to keep that familiarity while the Artisan Bakes brand develops it's own presence.


I love a neutral palette as much as anyone but when Retro Bloom got in touch with a brief full of colour and sparkle I couldn't wait to get started. As with all of m y product shoots, I aim to keep cohesion through an image set, which usually means sticking to a limited colour palette or props and for a while I struggled to decide what the best approach would be for this, whether to make the background softer to create contract with the candle labels or stick to a handful of background options and repeat them. But once the products arrived, a rainbow gut punch of vibrant colour and scent, I realised their cohesion came from their contrast, and the only way to capture that was to lean into it. Between hand shredding foil confetti and making it rain bubbles this session was SO much fun to shoot and I feel like the joy of it all shines through.


Another successful product photography session shooting handmade oak shelves for Shropshire based Severn Ash. Along with new ecommerce shots of their shelves styled with a few props to make help visitors to their website get a better picture of scale and how the shelves look mounted and in-situ and the detail shots to illustrate the quality and texture of the materials used, this time we added in a little extra focus on the various shelf lengths and bracket options too, to give their customers a clear sense of the custom options available.


New work for Willow Grace Designs who got in touch after deciding their jewellery deserved more than just snaps taken on a mobile phone. Product photography -particularly for small businesses- can feel like a massive investment, even just in the time taken to find someone who can meet your needs within your budget, but when so much time and effort is placed into the design, marketing, packaging of a product, documenting it in its best possible light is a must, especially when working with items that are notoriously difficult to photograph such as small, highly reflective jewellery.
The brief was minimalist, natural and high-end and as I didn't need to spend much time micro-managing props I was able to lean more heavily into capturing the texture, weight and movement of the individual pieces using light and contrast to make them shine (literally!).
Small scale product photography has always been a favourite genre of mine and jewellery with its specific technical requirements always gives me a sense of satisfaction after a day spent hyper-focusing on reflections and shadows.


2026 kicked off with a mammoth product photography session with Shropshire based Life of Riley Bakery who wanted to overhaul their product imagery for a website update. We covered styled shots of their dog treats to be used on the websitesite as well as content for their social media so to cover all bases we included a selection of similarly styled shots of each product as well as some more varied ones, while maintaining a visual consistency across the whole shoot to tie everything together.
The session also included a full set of e-commerce shots to go out to stockists and packaging shots some group styled images for products of a specific range.
It took a fair bit of before the session planning but with a clear brand vision from the client and a willingness to put creative control in my hands, the gallery was turned around speedily and absolutely bursting with pictures.


I started the Artist's Way in the summer, and one of the tasks that came up time and again was what is something you'd do, if it wasn't such a crazy thing to do. I'm not good with lists like that, if I want to do something, I do it, if I don't I don't, but something I kept coming back to, was how I have built a home so deep into my comfort zone that I rarely do things for the plot anymore, and while a steady and predictable life is a balm to me, kids need turbulence and novelty and adventure and my kids don't get much of that.
In July I'd never been on a plane before, having spent all of my almost 40 years with my feet on the ground, a fact that's always just been a truth about myself I didn't give as much weight to as the people I told it to. But in the summer I mentioned it to a friend who was planning a trip with her daughter to Edinburgh, and who offered that I grab Rory and go along with them. So I said yes. I knew I'd hate the airport, it's one of the main reasons I've never travelled that way, and not knowing how I'd feel on the plane was unsettling, but being able to experience that with my daughter, and for her to see that it's okay to be afraid and to ask for support and then do the damn thing anyway, was the biggest take away for me.
We spent 2 days roaming the city, exploring museums and doing as many touristy things we we could. Edinburgh is a beautiful city and for someone who doesn't like the heat it was the perfect destination, the flight was brief but great, the company even better. Have I caught the travel bug? I don't think so, not in the way some people do, but would I do it again? Absolutely.
Next time with my boys.




















